5/12/2025  8pm

freiLand Potsdam _Offenes Atelier

DEEEVEEE
psychodelic noise
(Mexiko/Litauen)

DeeeVeee is a psychedelic-noise duo based in Berlin and Vilnius. Two halves, one Mexican, one Lithuanian, join in the creation of DIY instruments, unique Frankenstein monsters of sound gear, which explore the powerful authenticity of radio transmissions, the manipulation of guttural voices recorded with contact microphones and layered through loop taping processing. A raw and deep construction of sounds and noises is the departure point for Deeeveee’s improvisation skills to travel beyond the boundaries of experimental and avantgarde noise.

www.instagram.com/deeeveeenoise

TUCE ALBA
noise

Tuce Alba (Turkey) is an architect, musician, and sound artist based in Berlin. Her practice focuses on sound as a material for constructing temporal and spatial experiences. Her works investigate slow transformation, minimal movement, and the physicality of sonic texture. In live performances, she builds raw, heavy noise, distortion, deep bass, and feedback. Inspired by brutalist architecture, she treats sound as a solid form; breaking and reshaping it in real time. No melody, no softness, just pure energy. Each performance is thus both a spiritual and physical encounter, meant to be felt as much as heard.

www.instagram.com/tucealbaa/

MARIANA CARVALHO
UDO KOLOSKA
prepared musical instruments
(Berlin/Potsdam)

The duo experiments at the edges of music with mechanics, noise and manipulated musical instruments.

Mariana Carvalho (São Paulo/Berlin) is a performer, sound artist, improviser and musician, interested in body, voices, listening, relation, intimacy, gender, inner sounds, nylon, prepared piano, eutony and free improvisation. She is part of Sonora – músicas e feminismos, brazilian feminist network.

DJ
sweetwater

Thematic focus

With the subtitle ‘Modern Desire’, NU:SUB aims to set a thematic focus in 2025. Social and individual decisions are largely driven not by rationality but by desires and ideas. This opens the door to dangerous manipulation as well as the proclamation of positive futures in today's world. From Jean-Francois Lyotard's ‘The Economics of Desire’ to Mark Fisher's pop-cultural essay ‘Postcapitalist Desire’, many different perspectives on this can be found. We present artistic positions – performative and installative – that examine, reflect on, deconstruct or construct ‘desire’ in the capitalist economy and society. The starting points for this can be on an individual, ecological or feminist level, but also works that deal with the social dilemmas of capitalist visions: the sound of suburban anonymity, the desire of the suburbs and the provinces, the sound of a future that is running out, art and media-critical works, or the resistant sound of chaos and noise.